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She manages to convey her fallen woman status through a chaotic series of swaps back and forth between Holliday and John Ireland's Johnny Ringo.Kate stays sympathetic even when she fails to warn the heroes of an ambush.The mythic elements in the historical gundown fit right in with Hollywood's idea of a socko action climax. Vista Vision and Technicolor give the exteriors a terrific Big Sky look, and Dimitri Tiomkin's restless score is so exciting, it transcends cliché.There are few surprises in the professional cast, a collection of types that make the Western seem as stylistically rigid as a Japanese Noh play. judging by the way these men dress, the laundry and dry cleaning service in Dodge City is excellent.
Even Frank Perry's troubled Doc isn't altogether a loss. Corral is a genuine super-western, an expensive, confident entertainment that sums up everything good about the big-scale commercial oaters of the time.John Sturges gets his violent moments in without going overboard.He'd labored in the MGM trenches for quite a while, but it was only Bad Day at Black Rock and to a lesser extent Escape from Fort Bravo that got him into the big leagues.Perhaps the Paramount sound engineers were directed to make the shotgun booms sound like the ear-splitting gunshots in George Stevens' Shane.
The actual gunfight is a drawn-out affair, very nicely directed.Frankie Laine sang at least a dozen main themes for Westerns, but few as memorable as his title vocal for this one.